Take the Stage with MAD Theatre of Tampa!

Want to be part of MAD Theatre’s upcoming productions of CARRIE or FIDDLER ON THE ROOF? We’re looking for talented performers to bring these incredible musicals to life, and we’d love to see YOU at auditions!

Auditions for both productions will take place at the Wellswood Civic Center, 4806 Wishart Blvd, Tampa, FL 33603. Whether you’re auditioning for a leading role, a featured character, or the ensemble, we encourage performers of all backgrounds and experience levels to join us.

All in-person auditioners must register for an audition time slot in advance. If you’re interested in both productions, please sign up for a time slot and let us know you’re auditioning for both.

CARRIE SHOW DATES: January 14 – 31, 2027

FIDDLER SHOW DATES: June 11 – 27, 2027

BE SURE TO READ ALL AVAILABLE ROLES AND DESCRIPTIONS. SOME ROLES MAY NOT BE AVAILABLE.

AUDITION DATES & TIMES

WEDNESDAY, NOVEMBER 4, 2026 | Starting at 7 PM

CARRIE & FIDDLER ON THE ROOF
Vocal & Movement Auditions

PLEASE SEE AUDITION SONG REQUIREMENTS BELOW!

THURSDAY, NOVEMBER 5, 2026 | Starting at 7 PM

Callbacks & Readings for Both Productions

Performers who are needed for readings will be notified before leaving their vocal audition on Wednesday. Attendance on Thursday is only required if requested by the production team.

Cannot attend auditions? Please send your video audition to auditions@madtheatre.com by November 4th, 2026. Please still fill out an audition form and let us know you sent in a video.

 

CARRIE Available Roles & Descriptions

Carrie White: vocal range G3 – E5.
A shy outsider, bullied by her classmates and controlled by her overly religious mother. She has telekinetic power that she discovers. When pushed too far, she unleashes the power.

Margaret White: vocal range G3 -G5.
Carrie’s mother. She balances her fervent religious convictions, spirituality, and maternal love for Carrie. She is woman of visceral extremes.

Sue Snell: vocal range A3-E5.
A popular girl who has always fit in. After a cruel act of bullying that she participated in, she feels true remorse and then tries to do the right things.

Tommy Ross: vocal range A2-C5.
Popular star athlete and budding poet. He is the boyfriend to Sue Snell. He has the jock personality but has a sensitivity for others as well.

Chris Hargensen: vocal range E3-E5.
Rich and spoiled. She believes that rules don’t apply to her and has anger management issues. She is the queen bee and leader of the bullies.

Billy Nolan: vocal range A2-C5.
A sexy, stupid-like- a fox bad boy. Those qualities make it easy for his girlfriend Chris to manipulate him to do his bidding.

Miss. Lynn Gardener: vocal range E3-C#5. Girls’ P.E. teacher who can be a strict disciplinarian, whom also shows
maternal instincts wanting to protect Carrie.

Mr. Stephens: vocal range A2-G4.
Well intentioned English teacher and guidance counselor. Stretched thin in his
duties, underpaid and a bit overwhelmed at times.

Reverend Bliss: vocal range C3-G4.
He can be played by the same actor as Mr. Stephens. Reverend Bliss is the local preacher on WORD radio.

Norma: vocal range E3-E5. Mean girl, gossipy with tomboy qualities and a suck up to authority. She is Chris Hargensen’s best friend.

Frieda: vocal range E3-G5. Sue’s brainy friend. She is a get along follower and a extracurricular committee volunteer.

Helen: vocal range E3-G5. Giggly slightly nerdy and easily shocked. Her need to belong makes her an example of the herd mentality.

George: vocal range A2-C5. Tommy’s jock wingman and Frieda’s boyfriend. He idolizes Tommy, perhaps a bit too much.

Stokes: vocal range A2-C5. A bit of a nerd and he’s happy to be included as one of Tommy’s friends.

Freddy: vocal range A2-C5. A slick, wise cracking guy. Has an immature quality and can be a follower of those such as Billy, Chris, and Norma.

FIDDLER Available Roles & Descriptions

Tevye (Male, Bass-Baritone / Age: 45–60): The heart, conscience, and dairyman of Anatevka. He regularly breaks the fourth wall to talk to God and the audience, struggling to balance old-world traditions with his daughters’ modern choices.

Golde (this role has already been cast):
Tevye’s practical, no-nonsense wife who is the backbone of the household.

Tzeitel (Female, Mezzo-Soprano/Alto / Age: 18–25): The eldest daughter, who begs not to marry the wealthy butcher and instead weds Motel out of love.

Hodel (Female, Mezzo-Soprano/Alto / Age: 18–23): The second-eldest daughter, an independent thinker who falls for Perchik and later travels to Siberia to be with him.

Chava (Female, Mezzo-Soprano/Alto / Age: 15–20):
The middle/scholarly daughter who causes the family’s deepest heartbreak by marrying Fyedka, a young Russian non-Jew.

Motel Kamzoil (Male, Tenor / Age: 18–25): A shy, poor village tailor who wins Tzeitel’s heart and eventually gains
confidence.

Perchik (Male, Tenor / Age: 20–30):
An idealistic, radical university student from Kyiv who challenges traditional
Anatevka values and wins Hodel’s affection.

Lazar Wolf (Male, Baritone / Age: 40–50):
The wealthy town butcher and widower who initially arranges to marry Tzeitel.

Yente (Female, Alto / Age: 50–60): The traditional village matchmaker responsible for setting up local unions.

Fyedka (Male, Non-singer / Age: 20–25): A young Russian soldier and villager who loves books and wins Chava’s heart.

Constable (Male, Non-singer / Age: 35–45): The local Russian official who has a polite yet detached relationship with Tevye before enforcing the government’s eviction orders.

Shprintze & Bielke (Female, Younger Children / Ages 8–13): Tevye and Golde’s youngest daughters.

Grandma Tzeitel (Female, Mezzo/Alto / Age: 60–75): Golde’s dead grandmother, who appears in Tevye’s nightmare to endorse Tzeitel’s marriage to Motel.

Fruma-Sarah (Female, Mezzo/Alto / Age: 35–45): Lazar Wolf’s terrifying, deceased first wife, who rises from the grave in the dream sequence to curse the match. MULTIPLE PEOPLE MAY BE CAST IN THIS ROLE AS A GUEST APPEARANCE.

The Rabbi (Male/Female, Supporting Role): Anatevka’s spiritual leader, consulted on daily religious and legal questions.

Mendel (Male): The Rabbi’s son.

Avram (Male / Age: 40–60): The town bookseller and community gossip.

Mordcha (Male): The local innkeeper.

The Fiddler (Any Gender / Age: 16–28): A physical, non-speaking/symbolic character who plays the violin on the roof,
representing tradition, balance, and survival. This character must be able to play violin.

Villagers of Anatevka (All ages, mixed vocal ranges): Mamas, papas, sons, daughters, and local townspeople.

Russian Soldiers (Non-singing/moving roles): Soldiers who participate in local
events and the eventual displacement.

AUDITION SONG REQUIREMENTS

All auditioners must prepare a song FROM THE SHOW they are auditioning for. Please prepare a 16–32 bar cut of your selected song, although we strongly encourage you to learn the entire song in case additional sections are requested. You do not need to print any sheet music – just tell us when you arrive which song you’ll be performing.

Each character has suggested audition songs to help you prepare. Click the toggle boxes below to view the song selections for each character in CARRIE and FIDDLER ON THE ROOF.

Performers auditioning for ensemble or non-singing roles may select any song from the show that best showcases their vocal abilities.

CARRIE Audition Song Cuts
Click any of the cuts below for the full sheet music for the audition! You may choose ANY of the cuts below for your audition – even for ensemble. You must sing from the show.

CARRIE Audition Cut

CHRIS Audition Cut

BILLY Audition Cut

MARGARET Audition Cut

MISS GARDNER Audition Cut

TOMMY Audition Cut

SUE Audition Cut

FIDDLER Audition Song Cuts

All auditioners should prepare a 16–32 bar cut from a song in Fiddler on the Roof. While only a 16–32 bar selection is required for the initial audition, we strongly encourage performers to learn the entire song, as additional portions may be requested during the audition or callback process.

Please select a song associated with the character you are auditioning for from the list below. If multiple songs are listed, you may choose the one that best showcases your vocal abilities and characterization.

Principal Characters

  • TEVYE

    • “If I Were a Rich Man”

    • “To Life (L’Chaim)”

    • “Do You Love Me?”

    • “Tradition”

  • GOLDE (this role has been cast) 

  • TZEITEL

    • “Matchmaker, Matchmaker”

  • HODEL

    • “Far From the Home I Love”

    • “Matchmaker, Matchmaker”

    • “Now I Have Everything”

  • CHAVA

    • “Matchmaker, Matchmaker”

  • MOTEL

    • “Miracle of Miracles”

  • PERCHIK

    • “Now I Have Everything”

    • “Sunrise, Sunset”

  • LAZAR WOLF

    • “To Life (L’Chaim)”

Featured and Supporting Singing Characters

  • YENTE

    • “The Rumor (I Just Heard)”

    • “Anatevka”

  • FRUMA-SARAH

    • “The Dream” (Fruma-Sarah’s featured section)

  • GRANDMA TZEITEL

    • “The Dream” (Grandma Tzeitel’s featured section)

  • AVRAM

    • “The Rumor (I Just Heard)”

    • “Tradition”

  • MENDEL

    • “The Rumor (I Just Heard)”

    • “Tradition”

  • MORDCHA

    • “To Life (L’Chaim)”

    • “Tradition”

  • THE RABBI

    • “Tradition”

    • “The Dream”

  • RUSSIAN SOLOIST

    • “To Life (L’Chaim)” (Russian solo section)

  • SHPRINTZE & BIELKE

    • “Tradition”

    • “Sabbath Prayer”

    • “Anatevka”

Ensemble and Non-Singing Characters

Auditioners interested in ensemble roles, featured non-singing characters, or characters without a designated solo may choose ANY song from Fiddler on the Roof.

This includes those auditioning for Fyedka, the Constable, Nachum, Yussel, Shaindel, Sasha, Russian soldiers, villagers, and other ensemble roles.

Please choose a 16–32 bar cut that best showcases your vocal range, personality, and performance abilities.

Additional Audition Notes

  • Please familiarize yourself with the entire song, even if you plan to perform only a 16–32 bar cut.

  • For duets or group numbers, prepare the portion most appropriate for your character.

  • Performers auditioning for more than one role may choose a song from any of the characters they are interested in.

  • We encourage all auditioners to explore the characters and storytelling within their chosen song. Strong characterization is just as important as vocal ability.

  • Auditioning for a particular character does not limit consideration for other roles in the production.